Pilgrimage is found in most religious cultures, from Saudi Arabia, Mexico, and India, to France, Spain, and Japan. In this Very Short Introduction Ian Reader explores the key themes of pilgrimage throughout the ages, considering its various forms and its identity as a 'spiritual tourism' industry, to explain why it has remained so popular.

Pippi Longstocking, Astrid Lindgren's nine-year-old heroine, burst onto the bookshelf in 1945 and has remained a firm favourite with children the world over. Here her story is illustrated with flair and humour by Lauren Child, known to children everywhere as the creator of Charlie and Lola, and winner of the Kate Greenaway and Nestle Gold Awards.

This was Kipling's first published volume of fiction. The stories with their brevity and concentration of effect are a landmark in the history of the short story.

This Very Short Introduction discusses the nature of planets and gas giants, and their rings and moons. It also looks beyond Pluto, in the Kuiper Belt, at the knowledge we have about planets around other stars. With many striking photos to illustrate the details, it demonstrates the unique world of every planet.

Plants are a fundamental part of the biosphere and their evolution has directly affected animal life, and the Earth's climate. This Very Short Introduction provides a concise account of the nature of plants, their variety, their evolution, and their importance and uses, stressing the importance of conservation for the future.

Plate tectonics caused a revolution in our understanding of the Earth. It has aided our understanding of why earthquakes and volcanoes are found in distinct locations, how oceans form and disappear, and how mountain ranges were built. In this Very Short Introduction, Peter Molnar explores the history and significance of plate tectonics.

Focuses on the philosophy and argument of Plato's writings, drawing the reader into Plato's way of doing philosophy and the general themes of his thinking. This work discusses his style of writing: his use of the dialogue form, his use of what we call fiction, and his philosophical transformation of myths.