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    OXFORD UNIVERSITY PRESS

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    Phonetics

    £27.90 £31.00
    Phonetics is an essential part of linguistics. This book leads the reader through the main areas of phonetics, including how speech sounds are made and how phoneticians classify them in certain ways, the International Phonetic Alphabet, and how sounds are transmitted from speaker to hearer.

    Photograph: A Visual and Cultural History

    £21.14 £23.49
    In a series of discussions of major themes and genres, Graham Clarke gives a clear and incisive account of the photograph's historical development, and elucidates the insights of the most interesting thinkers on the subject such as Roland Barthes and Susan Sontag.

    Photography: A Very Short Introduction

    £8.99 £9.99
    Photographs are an integral part of our daily lives - from snapshots and tabloid newspapers to art photography in galleries and exhibitions. Edwards combines a sense of the historical development of photography with an insightful analysis of its purpose and meaning within a wider cultural context.

    Physical Chemistry: A Very Short Introduction

    £8.99 £9.99
    In this essential guide for students of chemistry, Peter Atkins' Very Short Introduction explains the principles and phenomena of physical chemistry. Using few formulas, Atkins shows how physical chemistry draws its ideas from physics, quantum mechanics, and mathematics, and how it has contributed to our understanding of the natural world.

    Physics

    £8.99 £9.99

    Pickwick Papers

    £8.99 £9.99

    Picture of Dorian Gray

    £6.29 £6.99
    Dorian Gray gives his soul for eternal youth. While his portrait changes hideously, reflecting his crimes and corruption, he remains outwardly flawless. This new edition uses the 1891 expanded text and shows how Wilde transformed his many sources.

    Picturing the Apocalypse: The Book of Revelation in the Arts Over Two Millennia

    £20.69 £22.99
    An original introduction to the book of Revelation through the use of art history, with attention also given to the reception of the text in music, literature, and popular culture.

    OXFORD UNIVERSITY PRESS

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