In this cutting-edge text, Trish Reid offers a concise overview of the shifting roles of theatre and theatricality in Scottish culture. She asks important questions about the relationship between Scottish theatre, history and identity, and celebrates the recent emergence of a generation of internationally successful Scottish playwrights.
Theatre & Sexuality explains the critical validity of using sexuality as a lens for examining theatre's creation and reception. The book offers clear introductions to sexual identity politics, ways of 'reading' sexuality on stage and a select history of LGBTQ theatre, including a reading of Split Britches/Bloolips' production Belle Reprieve.
Social media has become an increasingly prevalent aspect of our lives, used daily by many people. In this timely study, Patrick Lonergan examines the relationship between social media and theatre. He argues that social media is itself a performance space, analysing how it's used by both theatres and audiences and also in connection with each other.
Bodies are active and dynamic elements of theatre production and spectatorship. They are important concepts as well as objects within theatre. This book examines the rich and complex relationships between the uses of bodies in theatre and the ways in which bodies are culturally imagined and understood in theatre.
Through detailed case-studies on the work of key international theatre companies such as the Elevator Repair Service and The Mission Business, Bill Blake explores how the digital is providing new scope for how we think about the theatre, as well as how the theatre in turn is challenging how we might relate to the digital.
This exploration of theatre and the rural argues that the reality of the lived rural is overlaid with external representations, often coloured by nostalgia, which are reflected and potentially created by theatre and its practices. It suggests that we need to re-engage with the actuality of the rural in order to fully understand our own nations.
Theatre & the Visual argues that theatre studies' preoccupation with problems arising from textual analysis has compromised a fuller, political consideration of the visual.