A handbook for curators and curatorial students, that maps out every stage of the exhibition-making process from initial idea to final installation. It traces the history of curating back to its origins in the 17th century and outlines the multifarious roles of the curator, including as custodian, interpreter, educator, facilitator and organizer.
In this first-hand account, the author, closely associated with the radical and transforming movement from its earliest days, records and traces Dada's history from its inception around 1916, in wartime Zurich, to its collapse in the Paris of the 1920s.
This study of Salvador Dali's work asks what accounts for his popularity as an artist. Is it the accessibility of his imagery or his talent as a self-publicist?
Since 1945, design and designers have been moved centre-stage by the demands of manufacturing companies and a consumer society. Dormer questions orthodoxies, defines the contexts within which designers work, and covers such activities as industrial and product design, graphics and textiles.
Digital technology has revolutionized the way we produce and experience art. This title surveys developments in digital art from its appearance from 1980s onwards, and looks at what that future may hold. It investigates the emergence and impact of mobile and locative (site-specific) media, social networks and the next generation of virtual worlds.
The theme of this study of the 15th century is the emergence of Europe as an entity. Ranging throughout the continent and drawing examples from the works of contemporary observers, it descibes the changes Europe underwent and the reassessments which these caused.