This text was first published in 1974, long before the dawn of multi-channel TV, or the reality and celebrity shows that now pack the schedules. Yet Williams' analysis of television's history, its institutions, programmes and practices, and its future prospects, remains prescient.
"Testimony" draws on survivors of the Holocaust's accounts to present the first theory of testimony: a radically new conception of the relationship between art and culture and the witnessing of historical events.