The contributors address issues of territory and asylum, home and exile, locality and migration - as they effect both artists themselves and the forms evident in contemporary performance.

This cogent and provocative compilation of essays is now a classic text for students of the emergent discipline of performance studies.

Performing Chekhov is a unique guide to Chekhov's plays in performance. It will be indispensable to students, teachers and theatre practitioners interested not only in Chekhov but in the history of the modern stage.

Referencing early modern English play texts alongside contemporary records, accounts and statutes, this study offers an overdue assessment of the relationship between the dramatic efforts of the universities and early modern male identity. Taking into account the near single-sex constitution of early modern universities.