All Categories
    Filters
    Preferences
    Search

    Singing from the Floor: A History of British Folk Clubs

    £17.09
    £18.99
    Price-Match is available in-store for recommended titles in CCCU module handbooks
    ISBN: 9780571305452
    Products specifications
    Attribute nameAttribute value
    AuthorBEAN JP
    Pub Date06/03/2014
    BindingPaperback
    Pages448
    Publisher: Faber & Faber
    Ship to
    *
    *
    Shipping Method
    Name
    Estimated Delivery
    Price
    No shipping options
    Availability: Available for despatch from the bookshop in 48 hours
    In smoky rooms above pubs, bare rooms with battered stools and beer-stained tables, an acoustic revolution took place in Britain in the 1950s and '60s. This was the folk revival, where a generation of musicians, would rediscover the native songs of their own tradition. This book tells the story of this movement.

    In smoky rooms above pubs, bare rooms with battered stools and beer-stained tables, where the stage was little more than a scrap of carpet and sound systems were unheard of, an acoustic revolution took place in Britain in the 1950s and '60s. This was the folk revival, where a generation of musicians, among much drink and raucous cheer, would rediscover the native songs of their own tradition, as well as the folk and blues coming from across the Atlantic by artists such as Leadbelly, Woody Guthrie and Big Bill Broonzy. Singing from the Floor is the story of this remarkable movement, faithfully captured in the voices of those who formed it by JP Bean. We hear from luminaries such as Shirley Collins, Martin Carthy, Peggy Seeger and Ralph McTell, alongside figures such as Billy Connolly, Jasper Carrott and Mike Harding, who all started their careers on the folk circuit. The book charts the revival's improvised beginnings and its ties to the CND movement, through the heyday of the '60s and '70s, when every university, town and many villages across the country boasted a folk club, to the fallow years of the '80s and '90s.
    The book finishes on a high note, with the recent resurgence of interest in folk, through such artists as the Lakemans, Sam Lee and Eliza Carthy. It is a joyous, boisterous and hugely entertaining book, and an essential document of our recent history stretching into the past.