The Tempest isone of Shakespeare's enduringly popular and much-studied later plays. The introduction has been extended to focus on new scholarship about the play's first production and to take account of major theatre and film versions since first publication in 1999, including Julie Taymor's 2010 film starring Helen Mirren.
The Tempest is a popular text for study by secondary students the world over. This edition includes illustrations, preliminary notes, reading lists (including websites) and classroom notes.
'York Notes Advanced' offer an accessible approach to English Literature. This series has been completely updated to meet the needs of today's A-level and undergraduate students. Written by established literature experts, 'York Notes Advanced' introduce students to sophisticated analysis, a range of critical perspectives and wider contexts.
Packed full of eloquent stings and poisonous putdowns from the bard himself, this is the perfect resource for anyone looking to scorn an enemy - without resorting to swearing.
In need of money, the fat and foolish Falstaff devises a scheme to seduce two married women and steal their husbands' wealth. By talking to each other, however, the wives soon discover his plan and begin to plot their own revenge.
The study of early drama has undergone a quiet revolution in the last four decades, radically altering critical approaches to form, genre, and canon. Drawing on disciplines from art history to musicology and reception studies, The Routledge Companion to Early Drama and Performance reconsiders early 'drama' as a mixed mode entertainment be
Developed by and for the Royal Shakespeare Company, this new edition includes outstanding on-page notes, a comprehensive scene-by-scene summary, a new introduction from Jonathan Bate and interviews with celebrated directors Peter Brook, Sam Mendes and Rupert Goold, offering illuminating new angles on Shakespeare's magical vision.
This edition in The Oxford Shakespeare is the first full edition to identify the play as a collaboration between Shakespeare and Thomas Middleton. In his Introduction John Jowett explains how the play's loose ends and uneven writing arise from this collaboration, and he provides the fullest account of the play's performance history available.
The editor offers a reappraisal of Shakespeare's bloodiest tragedy, "Titus Andronicus". The text puts forward arguments regarding the date of the play, its sources and its early stage history.