This edition of "Othello" sheds light on the text of the play as we have come to know it, and on our knowledge of its early history. Professor Honigmann examines major critical issues, the play in performance and the relationship between reading it and seeing it.
Written for pupils working towards the Key Stage 3 National Tests, this title gives an overview of the main characters and themes of Shakespeare's "Twelfth Night". It has an illustrative style, gives examiner's tips, key notes to learn and explore, self-test quizzes and example questions.
An ageing king makes a capricious decision to divide his realm among his three daughters according to the love they express for him. When the youngest daughter refuses to take part in this charade, she is banished, leaving the king dependent on her manipulative and untrustworthy sisters.
This entirely new Complete Works, edited afresh from the original documents, provides scholars with all the materials they need for text-based research. The edition preserves the spelling, punctuation, ambiguities, and inconsistencies of the early documents, and introductions and on-page notes address the book history and documentary origins.
Almost 400 years after his death, interest in Shakespeare still persists. As shown in this account, by viewing the playwright in the Elizabethan context and the theatre, we know more of his existence than is often thought, providing a background against which his literary output can be assessed.
Largely ignored for centuries because of doubts about its authorship and its subject matter, "The Two Noble Kinsmen" is surprisingly relevant to many current interests. This text supplies information on sources and contexts, and compares a number of late-20th century stagings of the play.
This compact, engaging book puts Shakespeare's originality in historical context and looks at how he worked with his sources: the plays, poems, chronicles and romances on which his own plays are based.
This edition of "Julius Caesar" provides a lively edition of one of Shakespeare's most familiar and studied plays. The introduction sets the play in the context of the last years of Elizabeth I's reign, with rebellion stirring and conflicts over the calendar.
David Scott Kastan's lucid exploration of the remarkable richness and ambitious design of "King Henry IV Part I" reveals the play to be almost a treatise on the central relationship between value and political authority.
Edited by Stanley Wells and Lena Cowen Orlin, this comprehensive guide to Shakespeare comprises over 40 specially commissioned essays by a team of contemporary Shakespeare scholars. The volume is divided into four key parts - 'Shakespeare's life and times,' 'Shakespearean Genres', 'Shakespeare Criticism', and 'Shakespeare's Afterlife'.
The Tempest isone of Shakespeare's enduringly popular and much-studied later plays. The introduction has been extended to focus on new scholarship about the play's first production and to take account of major theatre and film versions since first publication in 1999, including Julie Taymor's 2010 film starring Helen Mirren.
The introduction to this edition of "Troilus and Cressida" places it in its late Elizabethan context, examines and assimilates the wide variety of critical responses the play has elicited, and argues its importance in the context of late 20th-century culture as an experimental and open-ended work.
A Midsummer Night's Dream is one of the most popular texts for study by secondary students the world over. This edition includes illustrations, preliminary notes, reading lists (including websites) and classroom notes.
First performed in 1727, Cardenio or Double Falsehood was based on a play originally written by William Shakespeare. This significant new edition traces the elements of his work to be found in the text we have today, opening up fascinating questions and ideas for all students of Shakespeare.
With its cross-dressed heroine, gender games and explorations of sexual ambivalence, its Forest of Arden and melancholy Jacques, this book speaks directly to the twenty-first century. It connects the play to the Elizabethan court and its dynamic queen and demonstrates that the play's vital roots in its own time give it new life in ours.
Offers a fresh and direct approach to the Shakespeare's Sonnets. This title discusses the meaning, technique, hidden structure and feverish narrative of the Sonnets, as well as the difficulties they present for the modern reader.
The jealous King of Sicily becomes convinced that his wife is carrying the child of his best friend. Imprisoned and put on trial, the Queen collapses when the King refuses to accept the divine confirmation of her innocence. The child is abandoned to die on the coast of Bohemia.
In this edition, R.A. Foakes brings to bear a number of historical perspectives and critically addresses recent explorations of "King Lear" as a play of redemption, a play of despair and a play that destabilises all commentary.
How is it that biographies of Shakespeare can continue to appear when so little is known about him, and what is known has been in the public domain for so long? Why is it that a majority of the biographies published in the last decade have been written by distinguished Shakespeareans who ought to know better? This book aims to solve this puzzle.
Following the biographical style of 1599, this book traces Shakespeare's life and times from the autumn of 1605, when he took an old and anonymous Elizabethan play, The Chronicle History of King Leir, and transformed it into his most searing tragedy, King Lear.
Take Note for Exam Success! York Notes offer an exciting approach to English literature. This market leading series fully reflects student needs. They are packed with summaries, commentaries, exam advice, margin and textual features to offer a wider context to the text and encourage a critical analysis. York Notes, The Ultimate Literature Guides.
Critically acclaimed as one of Shakespeare's most complex and intriguing plays, "Twelfth Night" is a classic romantic comedy of mistaken identities. This book explores the factors that make up the play's textual, theatrical, critical and cultural history. It surveys the play's production and reception and emphasizes the role of the spectator.
Delving into the inspirations behind his masterworks and the influences of generations of performers, this book reveals the incredible variety of ways Shakespeare's plays have been adapted for stage and screen. Commemorating the 400th anniversary of his death, it looks at the facts and myths of Shakespeare's life and times.
"King Henry VIII" has one of the fullest theatrical histories of any play in the Shakespeare canon, yet has been consistently misrepresented, both in performance and in criticism. This edition offers a fresh perspective on this ironic, multi-layered, collaborative play.
'York Notes Advanced' offer an accessible approach to English Literature. This series has been completely updated to meet the needs of today's A-level and undergraduate students. Written by established literature experts, 'York Notes Advanced' introduce students to more sophisticated analysis, a range of critical perspectives and wider contexts.
When it seems that Julius Caesar may assume supreme power, a plot to destroy him is hatched by those determined to preserve the threatened republic. But the different motives of the conspirators soon become apparent when high principles clash with malice and political realism.
Shakespeare's tragedies contain an astonishing variety of suffering, from suicides and murders to dismemberments and grief. Stanley Wells considers how the bard's tragic plays drew on the literary and theatrical conventions of his time. Discussing the individual plays, he also explores why tragedy is regarded as a fit subject for entertainment.
The Merchant of Venice is one of Shakespeare's most problematic plays, largely because of what is seen as its inherent anti-semitism. At the centre of the play is one of the most famous anti-heroes in Shakespeare: Shylock 'the Jew'. How to interpret Shylock baffles critics as they divide on whether Shakespeare is prejudiced or sympathetic.
All you need to know about William Shakespeare's Hamlet is in this advanced guide to the text. Connell Guides are advanced guide books that offer sophisticated analysis and broad critical perspectives for higher-level GCSE and A Level English Literature students.
Siobhan Keenan's comprehensive survey of the key acting companies of the early modern period offers undergraduates and scholars a new perspective on how their demands effected the sort of plays being written and the multiple factors which fostered and formed the theatre of renaissance England.
Valentine Cunningham shows what it is that Shakespeare is driving at in Lear and how this extraordinary tragedy about a foolish old king who goes mad leads directly to Samuel Beckett and the Theatre of the Absurd.
This book includes a general introduction to Shakespeare's life and the Elizabethan theatre, a separate introduction to Timon of Athens, a chronology of his works, suggestions for further reading, an essay discussing performance options on both stage and screen, and a commentary.
This dictionary is the first comprehensive description of Shakespearean original pronunication (OP), enabling practitioners to deal with any queries about the pronunciation of individual words. It includes all the words in the First Folio, transcribed using IPA, and the accompanying website hosts sound files as a further aid to pronunciation.