Offers insight into some of his favorite images, artists, and themes, drawing upon nearly three decades of experience writing and thinking about photography. This book describes the meanings of work by dozens of photographers, from Dorothea Lange and Eugene Atget to Martin Parr, Luc Delahaye, Susan Lipper, and Paul Graham.
Packed with the essential secrets of the hottest Instagrammers around, all you have to do is put their advice into practice. With tips covering photographic techniques, captioning, codes of conduct, kit and managing your account, soon you too will be hailed as a Instragram icon!!!
Reading Photographs is a clear and inspiring introduction to theories of representation and visual analysis and how they can be applied to photography. Introducing the development of photography and different approaches to reading images, the book looks at elements such as identity, gaze, psychoanalysis, voyeurism and aesthetics.
Written in a step-by-step logical manner, this manual explains how the key features of the camera operate, and the creative options each of these functions offer. There are suggestions on how to approach different subjects, and a section on assessing your own prints and identifying mistakes.
Susan Sontag, one of the most internationally renowned and controversial intellectuals of the latter half of the twentieth century, still provokes. In 1979, Jonathan Cott, of Rolling Stone magazine, interviewed Sontag first in Paris and later in New York. This title publishes the entire transcript of Sontag's conversation.
Contains essays and previously uncollected pieces written for exhibitions and catalogues in which Berger probes the work of photographers such as Henri Cartier-Bresson and W Eugene Smith - and the lives of those photographed - with fierce engagement, intensity and tenderness.
Visual Culture: The Reader provides an invaluable resource of over 30 key statements from a wide range of disciplines. Although underpinned by a focus on contemporary cultural theory, this Reader puts the study of visual culture and the rhetoric of the image at centre stage.
Choosing 100 key photographs, the author examines what inspired each photographer in the first place, and traces how the piece was executed. She brings to light the layers of meaning and artifice behind these singular works, some of which were initially dismissed out of hand for being blurred.