Contains essays and previously uncollected pieces written for exhibitions and catalogues in which Berger probes the work of photographers such as Henri Cartier-Bresson and W Eugene Smith - and the lives of those photographed - with fierce engagement, intensity and tenderness.
Written in a step-by-step logical manner, this manual explains how the key features of the camera operate, and the creative options each of these functions offer. There are suggestions on how to approach different subjects, and a section on assessing your own prints and identifying mistakes.
Covers various aspects of black-and-white photography for both film and digital formats. This book explains basic theory, how colours become greyscale tones and how photographers can learn to see in black-and-white. It also explores themes of black-and-white photography and how to develop a mastery of the necessary techniques are also explored.
A revised and updated edition of this ambitious and vibrant publication, described by Black & White Photography as 'superb ... a wide-ranging, comprehensive and informative book that is also a pleasure to read'.
Visual Culture: The Reader provides an invaluable resource of over 30 key statements from a wide range of disciplines. Although underpinned by a focus on contemporary cultural theory, this Reader puts the study of visual culture and the rhetoric of the image at centre stage.
Packed with the essential secrets of the hottest Instagrammers around, all you have to do is put their advice into practice. With tips covering photographic techniques, captioning, codes of conduct, kit and managing your account, soon you too will be hailed as a Instragram icon!!!
An introduction to the study of visual culture, this book offers a view of 'visual culture' that includes not only images, but also other visual media and forms of expression, from architecture to fashion, design and the human body.
Features a critique of photography that asks forceful questions about the moral and aesthetic issues surrounding this art form. This title examines the ways in which we use these omnipresent images to manufacture a sense of reality and authority in our lives.
In a series of discussions of major themes and genres, Graham Clarke gives a clear and incisive account of the photograph's historical development, and elucidates the insights of the most interesting thinkers on the subject such as Roland Barthes and Susan Sontag.
Susan Sontag, one of the most internationally renowned and controversial intellectuals of the latter half of the twentieth century, still provokes. In 1979, Jonathan Cott, of Rolling Stone magazine, interviewed Sontag first in Paris and later in New York. This title publishes the entire transcript of Sontag's conversation.
Lee Miller's career encompassed several different careers: she was a successful model, then a leading Surrealist photographer; and then a war correspondent during World War II. Compiled by her son, this book offers a record of Miller's life and work.
From a Brazilian mine where 50,000 men haul heavy sacks of dirt up and down ladders in search of a nugget of gold, to a former lake in western Africa, where starving people walk over its surface of sand, photographer Sebastian Salgado explores the lives of the planet's often-ignored people.
Choosing 100 key photographs, the author examines what inspired each photographer in the first place, and traces how the piece was executed. She brings to light the layers of meaning and artifice behind these singular works, some of which were initially dismissed out of hand for being blurred.
Three years after the conclusion of his trilogy, On This Earth, the author returns to East Africa to photograph the escalating changes to the continent's natural world. In a series of epic panoramas, he records the impact of man in places where animals used to roam, but no longer do.