Explores most decadent of genres on both sides of the Atlantic. This title charts the retro future sounds, outrageous styles and gender-fluid sexual politics that came to define the first half of the seventies. It also brings right up to date with a final chapter on glam in hip hop, Lady Gaga, and the aftershocks of David Bowie's death.
Technologies are revolutionizing the music business. This title provides a legal and business road map for success in today's music business by setting forth a summary of the rules pertaining to the traditional music business, including music licensing, as well as the laws governing online distribution of music and video.
Grunge, also known as the 'Seattle Sound', emerged from the Pacific north-west in the early part of the 1980s. With the unexpected success of Nirvana's single 'Smells Like Teen Spirit' in 1991, grunge became a household word overnight and launched an American music movement on a par with punk and hip-hop. This book tells the whole story.
The concept behind the Ruth and Martin's Album Club blog is simple: Make people listen to a classic album they've never heard before. What follows are delightful, humorous and insightful contributions from each guest as they have an album forced upon them and - for better or worse - they discover some of the world's favourite music.
Before turning his hand to writing, he ran a jazz club in Tokyo, and the aesthetic and emotional power of music permeates every one of his much-loved books. Now, in Absolutely on Music, Murakami fulfills a personal dream, sitting down with his friend, acclaimed conductor Seiji Ozawa, to talk about their shared interest.
Looks at a regional phenomenon that has exploded into a worldwide sensation: Dirty South Hip-Hop. This book deals with the phenomenon of Southern hip-hop as a matter of cultural history, and explains the character and significance of down South rapping to fans as well as outsiders.
'If you look at all the people involved - Ivo, Tony Wilson, McGee, Geoff Travis, myself - nobody had a clue about running a record company, and that was the best thing about it.' Daniel Miller, Mute RecordsOne of the most tangible aftershocks of punk was its prompt to individuals: do it yourself.
Published to coincide with the centenary of Benjamin Britten's birth, this is a tale of music and painting, unforgettable words and fears. It describes the first steps of an East Anglian journey, an intimate appraisal of a vivid and memorable time. It is about the author's life in Aldeburgh during the 1950s.
The year 1968 encompasses the diverse realms of youth and music, politics and war, economics and the media. It was the year of sex and drugs and rock and roll. It was also the year of the Martin Luther King's assassination, and the beginning of the end for the Soviet Union. This book shows us how one volatile year helped shape us into who we are.
And why is the singing of others so essential to human life? In ten discrete but cohering essays Coleman tackles the arc of that history as if it were an emotional experience with real psychological consequences - as chaotic, random, challenging and unpredictable as life itself.
Traces the development of ENO from its earliest origins in the darkest Victorian slums of the Cut, where it was conceived as a vehicle of social reform, through two world wars, and via Sadler's Wells to its great glory days at the Coliseum and beyond. This book provides a vivid cultural history of this unique institution's 150 years.
In The Dark Stuff Nick Kent profiles twenty-two of the most gifted and self-destructive talents in rock history. From Brian Wilson to Syd Barrett, the Rolling Stones to Neil Young, Iggy Pop to Lou Reed, he offers intimate portraits that are unimaginable in the world of today's market driven music business.
In Girl in a Band Kim Gordon, founding member of Sonic Youth and role model for a generation of women, tells her story.
Filled with the sights and sounds of a changing world and a remarkable life, Girl in a Band is a moving, evocative chronicle of an extraordinary artist.
An attempt to isolate the 'Britishness' of British music - a wild combination of pagan echoes, spiritual quest, imaginative time-travel, pastoral innocence and electrified creativity - Electric Eden will be treasured by anyone interested in the tangled story of Britain's folk music and Arcadian dreams.
Fifty years on from the psychedelic summer of love, the author, an acclaimed music writer explores what was really going on during those heady times. In America, he traces the multi-media history of the Light shows, Happenings, Be-Ins and Acid tests, and illustrates the thriving avant-garde scene that existed long before the Grateful Dead.
In Victorian times, England was famously dubbed the land without music - but one of the musical discoveries of the early twentieth century was that England had a vital heritage of folk song and music. This book investigates the wider social history of traditional song in England, and draws on a wide range of sources to answer these questions.
There are few artists who inspire such reverence as the author. In this book, she tells with complete openness the story of her family, her work in the visual arts, her move to New York City, the men in her life, her marriage, her relationship with her daughter, her music and her band.
Presents a historical survey of Rock and Roll music in America, from the emergence of the style in the mid-1950's into the 21st century. Encouraging readers to become more critically aware listeners of rock music, this text is suitable for introductory courses in the history of rock and roll.
HOLD TIGHT is a book about being black, British and born after 1980. It's also about Grime. Celebrating over fifty key songs that make up Grime's DNA, Jeffrey Boakye explores the meaning of the music and why it has such resonance in the UK. Insightful and very funny HOLD TIGHT rolls deep, giving a context to Grime that hasn't been given before.
A Rough Trade, Mojo and FT Book of the Year
LONGLISTED FOR THE PENDERYN MUSIC BOOK PRIZE
Emerging from the jazz clubs of the early 1950s, skiffle - a uniquely British take on American folk and blues - caused a sensation among a generation of kids who had grown up during the dreary post-war years.
This is the story of women as creators and innovators, aiming to provide a history of women in rock, pop and soul - on stage, on camera and working behind the scenes in a male - dominated industry. It includes interviews with artists and coverage of phenomenons such as Girlpower.
In 1975, Viv Albertine was obsessed with music but it never occurred to her she could be in a band as she couldn't play an instrument and she'd never seen a girl play electric guitar. This book deals with her life and work.