Seth Lerer explores our relationship to the literary past in an age marked by historical self-consciousness, critical distance, and shifts in cultural literacy. He examines a range of fiction, poetry, and criticism in order to understand the ways in which the literary past makes us, and how we create canons for reading, teaching, and scholarship.
"Stephanie Hodgson-Wright's excellent edition of this important work is the most user-friendly available." -- Jacqueline Pearson, University of Manchester
Rowan Williams explores the definition of the tragic as a mode of narrative, in this short and thought-provoking volume. He turns to subjects including the role of irony in tragedy, the relationship between tragedy and political as well as religious rhetoric, common ground between tragedy and comedy, and the complex place of theology in the debate.
Providing detailed coverage of the main political and religious issues of the age, this new edition has expanded sections on Ireland and Scotland, ensuring the text considers Britain as a whole. There is extra coverage of economic and social topics.
Transport in British Fiction is the first essay collection devoted to transport and its various types-horse, train, tram, cab, omnibus, bicycle, ship, car, air and space-as represented in British fiction across a century of unprecedented technological change that was as destabilizing as it was progressive.
An increasingly popular genre, addressing issues of space, language, colonialism, globalization and politics, travel writing offers the reader a movement between the familiar and the unknown. This book offers a useful introduction for those new to the subject, as well as a crucial overview of the terminology, history and debates within the field.
An engaging, original and radical reassessment of J.R.R. Tolkien, revealing how his visionary creation of Middle-Earth is more relevant now than ever before.
An engaging, original and radical reassessment of J.R.R. Tolkien, revealing how his visionary creation of Middle-Earth is more relevant now than ever before.
Over a career spanning nearly fifty years Edward Garnett - editor, critic and publisher's reader - would become one of the most influential men in twentieth-century British literature.
Follows the fortune of a French battalion during the First World War. This title presents a critique of inequality between ranks, the incomprehension of those who have not experienced battle, and of war itself.
Best known for his provocative take on cultural issues in The Intellectuals and the Masses and What Good Are the Arts?, the author describes the events that formed him - an escape from the London blitz to an idyllic rural village, army service in Egypt, an open scholarship to Oxford and an academic career that saw him elected.