The contributions take a variety of forms including fiction and nonfiction and cover topics ranging from sand dunes to sand mining, from seaside stories to shoreline architecture, from sand grains to global sand movements, from narratives of the setting up of bed and breakfasts to stories of seaside decline.
Includes a history of science fiction, and the ways in, which the genre has been used and defined. This book provides explanations of key concepts in science fiction criticism and theory. It introduces the reader to nineteenth-century, Pulp, Golden Age, New Wave, Feminist, and Cyberpunk science fictions.
This book examines science fiction's theoretical and ontological backgrounds and how science fiction applies to the future of tourism. Focusing on disruption, sustainability and technology, it brings a new theoretical paradigm to the study of tourism in a post COVID-19 world and can be used to explore, frame and even form the future of tourism.
`If you want to write a novel or a script, read this book' Sunday Times `The best book on the craft of storytelling I've ever read' Matt Haig `Rarely has a book engrossed me more, and forced me to question everything I've ever read, seen or written. A masterpiece' Adam Rutherford
Douglas Mack argues that non-elite, 'subaltern' Scottish writers actively challenged the elite's Imperial Grand Narrative and demonstrates that Scottish fiction was active and influential both in shaping and in subverting the assumptions that underpinned the Empire.
This was the first book that Arthur Koestler wrote in English. It starts at the beginning of World War II when he was living in the South of France, working on "Darkness at Noon". After retreating to Paris, he was imprisoned as an undesirable alien.
The story of Uwe Johnson, one of Germany's greatest and most-influential post-war writers, and how he came to live and work in Sheerness, Kent in the 1970s.
A collection of Rudyard Kipling's articles describing the role of the Navy during the First World War. Published to coincide with the 150th anniversary of Rudyard Kipling's birth.
An alternative history of Western civilization told through its most emblematic invention, the book. As well as taking in the well-known titles that have helped shape the world in which we live, The Secret Library uncovers more neglected works, exploring the intersection between books of all kinds and the history of the Western world.
The first collected edition of over three decades of exquisite criticism - of art, television, film, and literature - by one of America's most beloved writers.
The Greek satirist Lucian was a brilliantly entertaining writer who invented the comic dialogue as a vehicle for satiric comment. This lively new translation is both accurate and idiomatic, and the introduction highlights Lucian's importance in his own and later times.
Orwell was one of the most celebrated essayists in the English language, and there are quite a few of his essays which are probably better known than any of his other writings apart from Aminal Farm and Nineteen Eighty-Four.
Keats's letters are 'the most notable and most important ever written by any English poet' (T. S. Eliot). This new edition revises and updates Robert Gittings's selection and includes 170 letters, a new introduction and notes, list of correspondents and full index
The nearest we can get to a Dickens autobiography, these letters give us unique insights into his life, and are essential reading for Dickens fans everywhere. Whether you dip in or read straight through, this selection of his letters creates afresh the brilliance of being Dickens, and the sheer pleasure of being in his company.
Maria Edgeworth was a pioneer of realist children's literature. This critical edition reveals the range of her writing for children, ranging from stories for very young children to tales for young adults, and includes The Purple Jar, The Good Aunt and The Grateful Negro.
Self Impression explores the fascinating ways in which writers from the 1870s to the 1930s - including Pater, Ruskin, Proust, Joyce, Stein, Pound, and Woolf - experimented with forms of life-writing. It proposes a new relation between autobiography and fiction in the period and a radically innovative literary history of Modernism.