Containing essays and interviews with writers, this book interrogates the contemporary usage of the term and the category of the post-colonial as a theoretical concept, discourse and state of mind. Looking at contemporary writing in English, it revisions the practice of post-colonial studies and calls attention to its significant weaknesses.
Acknowledged as a masterpiece of materialist criticism in the English language, this collection cover topics from British literary history to George Eliot and George Orwell to enquire about the complex ways economic reality shapes the imagination.
In Cultures of Correspondence in Early Modern Britain leading scholars approach the letter from different disciplinary perspectives to illuminate its workings. Contributors to this volume examine how elements, such as handwriting, seals, ink, and use of space, were vitally significant to how letters communicated.
He then uses the perspective of ergodic aesthetics to reexamine literary theories of narrative, semiotics, and rhetoric and to explore the implications of applying these theories to materials for which they were not intended.
Thomas is one of the most controversial writers of our time - considered by some a major voice in contemporary fiction, by others a dubious literary 'impostor' who repeatedly appropriates female sexuality, the holocaust and the work of other writers for personal gain.
Longus' romance tells the story of two teenagers, who love each other but do not know how to make love. Divine presences mingle with peasant life in this colourful story of the mystery of love and sexual initiation. Ronald McCail's new translation is immensely readable and does full justice to one of the most popular of classical romances, a precursor to the modern novel.
By the time she eventually caught the train back to Penzance two days later they had fallen in love and Eric had declared that he was determined to marry her...'Before her death in 2002, Mary Wesley told her biographer Patrick Marnham: `after I met Eric I never looked at anyone else again.
De/constructing Literacies: Considerations for Engagement reviews and defines the concept of engagement in literacy studies from different epistemologies.
This book is an assessment of narrative technique in contemporary British fiction, focusing on the experimental use of the demotic voice (regional or national dialects). The book examines the work of James Kelman, Graham Swift, Will Self and Martin Amis, amongst many others, from a practical as well as theoretical perspective.
Derek Jarman's garden is in the flat expanse of shingle that faces the nuclear power station in Dungeness, Kent. He mixed the flint, shells and driftwood of Dungeness with indigenous and introduced plants. This book is his own record of how this garden evolved, from its beginnings in 1985.