Walter Benjamin - philosopher, essayist, literary and cultural theorist - was one of the most original writers and thinkers of the twentieth century. This title brings together Benjamin's major works, including "Unpacking My Library"; "One-Way Street"; "The Work of Art in the Age of Mechanical Reproduction"; and, "Brief History of Photography".
As he and his best friend Henry attempt to make the sometimes painful, sometimes comic transition to their divorced middle age, balancing the conflicts of desire and dignity, Jamal's teenage traumas make a shocking return into his present life.
The only autobiography by the great Roland Barthes, philosopher, literary theorist and semiotician. This is the autobiography of one of the greatest minds of the twentieth century.
A beautifully written and deeply personal book on the jigsaw and the part it plays in the patchwork of its distinguished author's life. A mix of memoir, jigsaw history and the strange delights of puzzling
The Believer is a monthly magazine where length is no object. There are book reviews that are not necessarily timely, and that are very often long. There are also interviews that are very long. Focusing on writers and books they like, The Believer gives people and books the benefit of the doubt. The working title of this magazine was The Optimist.
Reading and the Reader defends the value of reading serious literature, investigating the role of the reader in the human search for meaning outside as well as inside of books.
A fresh and unusual perspective on the literary, Catherine Pickstock argues that the mystery of things can only be unravelled through the repetitions of fiction, history, inhabited subjectivity, and revealed event.
Medical Humanities comprises disciplines as diverse as literature, the visual and performing arts, the history of medicine, and bioethics. Josie Billington examines the value that literature adds to medical education in health training and practice, and defends the power of the arts as a remedial force.
t the confluence of autofiction and sociology, The Years is 'a Remembrance of Things Past for our age of media domination and consumerism' (New York Times), a monumental account of twentieth-century French history as refracted through the life of one woman.