This study covers the impact on Victorian Britain of the history and literature of Ancient Rome. It shows how scholars and poets, as well as engineers, soldiers, scientists and politicians, gained inspiration from the writing, theory and practice of their Roman predecessors.
Featuring new details about Virginia Woolf's homes and personal life, this engaging biography offers a fresh insight into her work, focusing on how place as much as imagination fashioned her writing.
In the context of the significant struggles with 'fundamentalisms', media consolidation, and the stifling of dissent, the author's close readings of Woolf's writings focus on their relevance to our political situation.
This book includes essays, unpublished sketches, Woolf's social realist 1919 novel Night and Day, and her final, visionary novel Between the Acts. This approach to Woolf's writing takes an integrated view, incorporating her juvenilia and foregrounding Woolf's critically neglected early novels.
This is the first book to explore Virginia Woolf's preoccupation with the literary past and its profound impact on the content and structure of her novels.
An examination of the creative intimacy between Vita Sackville-West and Virginia Woolf, this work interprets their relationship and their work in the light of their experience as married lesbians. It offers readings of their autobiographical texts and "Orlando".
The works of Mervyn Peake have fascinated readers for several years. His Gormenghast sequence of novels are serialized to great acclaim by the BBC stands. This book traces the recurrent motifs through Peake's works (islands, animals, and loneliness) and explores Peake's play, "The Wit to Woo".
Discusses how literary culture in the Renaissance was fundamentally oral and studies a variety of literary soundscapes, from the schoolroom to the printing house, to explore why and how 'sound' was meaningful to Renaissance writers.
Discusses how literary culture in the Renaissance was fundamentally oral and studies a variety of literary soundscapes, from the schoolroom to the printing house, to explore why and how 'sound' was meaningful to Renaissance writers.
Features a story about one man's attempt to live the simple life in the wilderness, and the great, founding text both for the environmental movement and the entire counter-culture.
An absorbing and beautifully presented selection of Walter Benjamin's never before seen personal manuscripts, images, and documents from his own collection
Waste Paper in Early Modern England argues that rhetorical commonplaces referring to waste paper are indicative of everyday, material experience - of an author's, reader's, housewife's, or city-dweller's immersion in an environment brimming with repurposed scraps and sheets.
Seeing comes before words. The child looks and recognizes before it can speak. But, there is also another sense in which seeing comes before words. It is seeing which establishes our place in the surrounding world. The relation between what we see and what we know is never settled. This is a book on art in various languages.