For most of the sixteenth century, English poets were clearly anxious about the grief expressed in their funeral poems and often rebuked themselves for indulging in it, but towards the end of the century this defensiveness about mourning became less pressing and persistent.
Mellor makes the persuasive argument that to understand Second World War British culture one must understand the ruined and fragmented cityscapes that it responds to. Of relevance to literary critics and cultural historians, and featuring famous and forgotten authors, this book makes modernism - and war literature - look vividly different.
Ellis explores the ways in which modernist writers like T. S. Eliot, Virginia Woolf and H. G. Wells witnessed the approach of World War II and how their writings raised profound questions emblematic of the era. No other literary study has looked at the period covered in such detail.
Evocative, engaging and filled with detail, this book explores the homes of three writers linked to the Bloomsbury Group. Bringing together stories of love and intimacy, of evolving relationships and erotic encounters, with vivid accounts of the settings in which they took place, it offers fresh insights into their complicated, interlocking lives.
British Literature of the Blitz interrogates the patriotic, utopian ideal of the People's War by analyzing conflicted representations of class and gender in literature and film. Its subtitle - Fighting the People's War - describes how British citizens both united to fight Nazi Germany and questioned the nationalist ideology binding them together.
An examination of the creative intimacy between Vita Sackville-West and Virginia Woolf, this work interprets their relationship and their work in the light of their experience as married lesbians. It offers readings of their autobiographical texts and "Orlando".
A collection of American poetic responses to the Vietnam War. This title should be of interest to specialists in Vietnam studies, American literature and war poetry, and the general reader interested in these and similar issues.
Cumming began with a few criss-crossing lives in this fraction of English coast - the postman, the grocer, the elusive baker - but soon her search spread right out across the globe as she discovered just how many lives were affected by what happened that day on the beach - including her own.
It looks at how artists have responded to two great, contrasting works, Paradise Lost and Pilgrim's Progress; A brief coda turns to a fourth relationship: writers and artists who collaborate from the start, like Dickens and Phiz, and Lewis Carroll and Tenniel.
What was a book in early modern England? Material Texts in Early Modern England focuses on neglected bibliographical cultures, including cutting, destruction, recycling, and errors. It explores how authors including Herbert, Milton, and Cavendish responded to this rich bibliographical context.
This nuanced yet accessible study is the first to examine the range of religious experience imagined in Hopkins' writing. By exploring the shifting way in which Hopkins imagines religious belief in individual history, Martin Dubois contests established views of his poetry as a unified project.
The Remembered Dead explores the ways poets of the First World War - and later poets writing in the memory of that war - address the difficult question of how to remember, and commemorate, those killed in conflict. It looks closely at the way poets struggled to represent death, trauma, and grief.
The ancient Greeks' concept of "the hero" was very different from what we understand by the term today. In 24 installments, based on the Harvard course Nagy has taught and refined since the 1970s, The Ancient Greek Hero in 24 Hours explores civilization's roots in Classical literature-a lineage that continues to challenge and inspire us.
Peter Childs offers accessible analyses of the work of twelve prominent contemporary British writers, including Hanif Kureishi, Pat Barker, Zadie Smith and Jeanette Winterson. This expanded second edition has been revised and updated throughout, and now also features a new chapter on the younger "generation" of novelists born in the 1970s.
Featuring a general introduction to contemporary print culture and publishing studies, the volume includes 42 influential and innovative pieces of writing, arranged around themes such as authorship, women and print culture, colonial and postcolonial publishing and globalisation.
Maria Edgeworth was a pioneer of realist children's literature. This critical edition reveals the range of her writing for children, ranging from stories for very young children to tales for young adults, and includes The Purple Jar, The Good Aunt and The Grateful Negro.
Analysing a wide range of extracts from key works of British fiction from the Eighteenth to the Twenty-First Century, William Hutchings lucidly demonstrates how close reading can enhance appreciation of detail and illuminate whole novels.
This invaluable Guide surveys the key critical works and debates in the vibrant field of children's literature since its inception. Leading expert Pat Pinsent combines a chronological overview of developments in the genre with analysis of key theorists and theories, and subject-specific methodologies.
A lively introductory guide to English literature from Beowulf to the present day. The authors write in their characteristically lucid style and present the texts in relation to their social, political and cultural contexts. Clear and concise, the updated second edition now features a new final chapter on twenty-first century literature.
The second edition of this established introductory text has been thoroughly revised, updated and expanded to reflect current issues in the field. It features new chapters by leading names on key topics such as canon formation, fantasy, and technology, and includes an essay on children's poetry by the former Children's Laureate, Michael Rosen.
The book also features an interview with Jacqueline Wilson herself, where she discusses the challenges of writing social realism for young readers and how her writing has changed over her lengthy career.
A fascinating and wonderfully readable deconstruction of the countless myths that have grown up around the Brontes.
Since 1857, hardly a year has gone by without some sort of Bronte 'biography' appearing.
A heartfelt tribute to three women who left nothing but their stories, letters, and memories reveals the significance of their lives, their hidden possibilities, and, most importantly, the redemptive power of friendship between women.