amuk sheds light on the devastating and ongoing effects of a single word's mistranslation, and emphasises what exists in opposition to such hostile histories and presents: hope, resistance, and joy.
Toutoungi's third collection is a tragi-comic journal of grief that, out of the chaos of bereavement, her failing eyesight and eco-stress, blends poems of startling wit and hard-won joy.
Nisha Ramayya's second collection situates listening as a political act; a way of attuning to the world around us, paying attention, and understanding our interconnectedness
Weaving familial and queer traditions and archives, and stretching across generational perspectives, Amann Hyder's Self-Portrait With Family is an autobiographical collection about coming out to family and coming out into a gay community defined by whiteness.
An astounding collection from the author of the T.S. Eliot Prize-shortlisted All The Names Given, Signs, Music is a beautiful series of lyric sequences about masculinity and fatherhood.
The Tattoo Collector ranges between Hong Kong, Scotland, and London, exploring the intertwined relationship between the body, ecology and class - where protests, gigs and the tattooed body form a vital line of connection.