Witchcraft and Adolescence in American Popular Culture: Teen Witches is a comprehensive study of the teenage witch as a cultural trope. The book explores the changing representation of adolescent witches in film, literature and other media from the 1940s to the present.
Delving into the magical, mystical and obsessive worlds of two visionaries of British film, this lavishly illustrated publication presents fresh perspectives on the film-making duo.
This anthology of fundamental statements on the essay film offers a range of crucial historical and philosophical perspectives. It provides early critical articulations of the essay film as it evolved through the 1950s and 1960s, key contemporary scholarly essays, and a selection of writings by essay filmmakers.
This edition contains all chapters from the original 1986 edition plus critical analyses of the films of Martin Scorcese and Michael Cimino, a political assault on the films of George Lucas and Steven Spielberg, and in in-depth meditation on Brian De Palma.
Offering an account of the series, this title features production art, costume designs, make-up tests, posters, and interviews with the casts and crew.
Establishes the theoretical foundations and implications of the genre of Gnostic cinema. This book develops these theoretical elements in the contexts of Gnosticism and the esoteric traditions emerging from it, Cabbala and alchemy. It discusses the functions of genre, the relationships between cinema and psychology, the romance of film, and more.
The scope of this collection is indicative of the breadth and diversity of music's role in cinema, as is its emphasis on musical contributions to 'non-musical' films. It brings together chapters that are concerned with the relationship between performance, music and film and the specificity of national, historical, social, and cultural contexts.
A perfect gift for Downton Abbey fans, the official film companion provides a unique, behind-the-scenes look at the art and making of the sequel to the globally successful Downton Abbey film.
Offers the first book-length, English-language examination of three adaptations of Greek tragedy produced by the gay and Marxist Italian filmmaker Pier Paolo Pasolini. Archaic Modernism makes the case that these three films are as essential as those Pasolini films more often studied in the Anglophone world.