This study of Duras cinema, examines such films as "India Song", "Le Camion", and "Nathalie Granger". It provides an introduction to her films, and locates them in their autobiographical as well as social and historical context, with an empahasis on gender issues.
A study of the "enfant terrible" of French cinema. The ingredients and influences of Carax's films (including "Les Amants du Pont Neuf" and "Pola X") are examined: Paris, pop music, flanerie, amour fou, mannerist and neo-baroque aesthetics, "Nouvelle Vague" and contemporary naturalist cinema.
This book analyses one of France's most controversial directors. It discusses Louis Malle's treatment of topics such as fascism, incest, child prostitution and the Holocaust. It is the first work published on the director in the English Language.
This is the first book on the celebrated films of director Claire Denis ('Chocolat', 'Beau Travail', 'Trouble Every Day'), one of the most remarkable filmmakers to come to prominence in the last 20 years. An essential read for students and specialists in contemporary French cinema.
Luc Besson is considered one of the hottest international properties to emerge from the new wave of French film directors in the 1980s. This is a study of Besson's film-making career to date, placing the films within their socio-historical and political context.
Original and concise reading of Coline Serreau's films, and an in-depth introduction to the female director whose work transcends the boundaries between amateur and mainstream cinema. Appraisal of her work puts her films within the social, cultural and political context of France since 1968
This analysis of the cinema of Diane Kurys describes her unsentimental reconstructions of the lives of girls and women in post-war France which established her as a real presence in contemporary French film-making. It traces her career from actress to author-director-producer of her own films.
A collection of essays on the concept of film stardom, and the shifting definition of a 'star'. The collection ranges across contemporary stars such as Sandra Bullock, Jackie Chan and Jim Carrey, those from Hollywood's past like Clara Bow and Charlton Heston, and those from other arenas, such as Prince and Cynthia Rothrock.
This complete study of Bertrand Blier's work to date, traces his career from the early 1960s until the present, outlining the forms, themes and style which dominate in his work, and challenging the many labels that have been used to describe both the corpus of films and the man himself.
Kiss Me Deadly, Bonnie & Clyde, Get Carter, Little Caesar, Goodfellas - behind each of these classic films there's a little-known story waiting to be told, and pulp novels, real-life bank robbers and twisted serial killers have all played a part in shaping the high-points of crime cinema. After Hollywood had cheerfully thrown these...
This text provides an introduction to the development of Australian film, in terms of prominent directors and stars, consistent themes and styles and evolving genres. This growth is traced through analysis of the most successful and best known feature films from the gothic to the camp.
This is a comprehensive and systematic history of British film studios, arranged in alphabetical order and cross-referenced throughout. It also studies the roles of directors, producers and stars including Henry Fonda, Marilyn Monroe and Liz Taylor.
Spanish Popular Cinema is the first European language work to focus exclusively on this neglected aspect of Spain's film history. Moving from the 1930s to the present, the contributors to this book provide a diverse collection of essays that reassess some of the forgotten and critically overlooked works of Spanish popular cinema.
This ground-breaking study provides an entertaining insight into popular film in Brazil, situating major box-office successes such as 'Central Station' (Walter Salles, 1998), in their socio-historical context.
Financed by HandMade Films, 'Withnail and I' was Bruce Robinson's first outing as writer-director. The script draws heavily on Robinson's own experiences in the 1960s. Kevin Jackson recounts that experience in addition to giving a full account of the film's production.