Michelangelo Antonioni is one of the great visual artists of the cinema. This book shows how difficult it was for the filmmaker to liberate his art from the conventional means of rendering narrative, especially dialogue, conventional sound effects, and commentative music.
Born into a theatrical family, Chaplin's father died of drink while his mother, unable to bear the poverty, suffered from bouts of insanity, Chaplin embarked on a film-making career which won him immeasurable success, as well as intense controversy. This autobiography constructs the poor London childhood and his prodigious life in the movies.
New in paperback, this revelatory book features rarely seen multimedia works by the revered cult filmmaker David Lynch showing how he applies his powerful imagination and visual language across genres.
Chosen as one of Sight & Sound's 'Best Film Books of the Year'
John Boorman is one of the cinema's authentic visionaries, drawn to myths and dreams.
In Conclusions Boorman summarises what he has learned about the craft of film-making, and wishes to pass on to the next generation of film-makers.
WITH AN INTRODUCTION BY MATTHEW TODD In At Your Own Risk, Derek Jarman weaves poetry, prose, photographs and newspaper extracts into a rich tapestry of gay experience in the UK. This is Jarman at his passionate, polemic best, written when he was already ill with HIV and in the midst of the moral panic surrounding the AIDS crisis.
The films of Andrei Tarkovsky have been revered as ranking on a par with the masterpieces of Russia's novelists and composers. This book offers a comprehensive account of Tarkovsky's entire film output. It examines Tarkovsky's films elementally, grouping them into four sections: Water, Fire, Earth, and Air.
Hitchcock's 1964 psychological thriller "Marnie" generated wider critical controversy than any other film of his career. This study details the film from conception to postproduction and marketing, showing the film-making process in action, with production details and participants' oral history.
Conceived of as a 'pharmacopoeia' - an ever-evolving circle of stones, plants and flotsam sculptures all built and grown in spite of the bracing winds and arid shingle - it remains today a site of fascination and wonder.
Pharmacopoeia brings together the best of Derek Jarman's writing on nature, gardening and Prospect Cottage.
In non-linear snippets and including photographs of Jarman's artwork, he describes his sexual awakening in post-war England, his early struggles to create and find recognition for his art, and vivid accounts of his friends, lovers, and inspirations.
The Academy Award (R)-winning actor, father of three, and bestselling author of Greenlights distils more than three decades of journaling experience to help you reflect, seek clarity, and forge your own path with this life-changing practice.
Peter Weir is, without doubt, one of the most important Australian film directors of all time. This book takes an in-depth look at the career of a filmmaker who has, over the course of 30 years, put together a substantial and much-loved body of work. It illustrates how Peter Weir brings a consistent vision to his films.
Working entirely outside the studio system, the Coen brothers scored an unlikely first success in 1984 with their postmodern noir film Blood Simple. Two decades and nearly a dozen movies later, the Coens are now among the best-known writer/directors in Hollywood. This collection of their most important interviews spans twenty years and is the most comprehensive published on the brothers.
This is the memoir of a former Congressional staffer who left DC for Hollywood and a job with Oliver Stone, hoping to help make politically engaged films and a difference, and found himself instead in a universe ruled by greed, paranoia, narcissism, competition, alcohol and drugs.
"One of the greatest Italian filmmakers, Federico Fellini (1920-1993) created such masterpieces as La Strada, La Dolce Vita, 8 1/2, Juliet of the Spirits, Satyricon, and Amarcord. His prodigious body o"
Offers the first book-length, English-language examination of three adaptations of Greek tragedy produced by the gay and Marxist Italian filmmaker Pier Paolo Pasolini. Archaic Modernism makes the case that these three films are as essential as those Pasolini films more often studied in the Anglophone world.
This volume examines the films of Jean-Jacques Beineix. His work is placed within the context of the 1980's and each film is discussed in detail, including the controversies surrounding them, while attempting to analyze the films for their intrinsic interest.
Focuses on a century of film. This book argues that - after the century of Chaplin and Pol Pot, Monroe and Hitler, Stalin and Mae West, Mao and the Marx Brothers - film and history are inextricably intertwined. It presents the author's thoughts on film theory, cinematic technique, film histories, as well as the video revolution.