Once she reaches her destination, the conversations she has with the people she meets - about art, about family, about politics, about love, about sorrow and joy, about justice and injustice - include the most far-reaching questions human beings ask.

Renowned anthropologist and film-maker Hugh Brody weaves a dazzling tapestry of personal memory and distant landscapes: childhood in England in the shadow of the Second World War, the Derbyshire hills, a kibbutz in Israel and the deep Canadian Arctic.

Everyday lives conjure a tapestry of fabulism and domesticity. This village belongs to the people who live in it and to the people who lived in it hundreds of years ago.

His unique and intimate history of a nation celebrates the British countryside as a living, working, and occasionally rancorous environment - rather than an unaffected idyll - that forged a nation's musical personality.

Mamoon is an eminent Indian-born writer who has made a career in England -- but now, in his early seventies, his reputation is fading, his book sales have dried up and his new wife has expensive tastes.

Once part of a vibrant racing network, Portland Meadows is now seemingly the last haven for washed up jockeys and knackered horses, but it's there that Charley meets Pete, an old horse who becomes his companion as he's forced to try to make his own way in the world.