Moliere's prose plays demonstrate both his versatility as a playwright and the reasons for his enduring popularity from the France of Louis XIV to the present.
Following Bethlehem, Wenceslas, The Christmas Truce, Another Night Before Christmas and Mrs Scrooge, the Poet Laureate offers another delightful and original Christmas poem. Fully illustrated, this covetable little hardback will be the perfect stocking-filler.
First performed in 1727, Cardenio or Double Falsehood was based on a play originally written by William Shakespeare. This significant new edition traces the elements of his work to be found in the text we have today, opening up fascinating questions and ideas for all students of Shakespeare.
Dr Faustus is a highly popular text, this student edition uses the A text, widely excepted as the most authentic published edition. Fully revised by leading Renaissance scholar, Ros King, it contains a completely new Introduction containing the latest criticism and stage history and revised commentary and notes.
Dr. Faustus is one of the jewels of early modern English drama, and is still widely performed today. Interestingly, the play has come down to the contemporary audience in two distinct versions that have become known as the 'A' and the 'B' texts. David Bevington and Eric Rasmussen, who edited the original Revels edition over twenty years ago (and ar
This volume covers the teaching of drama at nursery and Key Stage 1. It looks at why drama should be used, how it works, and how to get children involved.
Dramaturgy of Form examines verse in twenty-first-century theatre practice across different languages, cultures, and media. Through interdisciplinary engagement, Kasia Lech offers a new method for verse analysis in the performance context.
Universally considered Webster's masterpiece, this violent play presents a dark and disturbing portrait of the human condition. The play's heroine is imprisoned by her brothers because she bore a commoner's son.
The Duchess of Malfi is a macabre, tragic play which is often performed and studied at A level and university. This Arden edition brings all the scholarship and comprehensive analysis associated with the series and offers readers a deeper understanding of the play than competing editions.
Editing Archipelagic Shakespeare explores the power of names in Shakespeare's works, focusing on Irish, Scottish, and Welsh characters and places. It explores who chooses names, why, and how they affect playgoers and readers. This Element offers a comprehensive case study for non-anglophone and global studies of Shakespeare and early modern drama.
In the introduction to this edition, Forker offers a discussion of Marlowe's use of sources and presents a new argument for the drama's five-act structure. He examines the various opinions concerning the genre and sexual politics of the play, and also includes a full record of the stage history.
A collection of eight monologues that offer a group-portrait of diverse characters, from high-class hookers to 7/7 survivors. It paints a revelatory picture of Britain.
Locked into a bloody cycle of murder and reprisal, Electra, haunted by her father's assassination, is consumed by grief and a thirst for vengeance. When her brother Orestes at last returns, she urges him to a savage and terrifying conclusion.
Euripides takes the old myth of Orestes' and Elektra's revenge on their mother Klytemnestra for their father Agamemnon's murder and reinterprets it in realistic, human terms. This translation was first performed together with 'Orestes and Iphigeneia in Tauris' as 'Agamemnon's Children' at the Gate Theatre, London, in 1995.
John Lyly was the master of the private theatre stage in the 1570s and 1580s, and this play represents his individual Euphuistic style. It is a love comedy, mimicking Queen Elizabeth's court, and retelling an ancient legend of the prolonged sleep of the man with whom the moon fell in love.