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Wayne Thiebaud has long been recognized as one of America's prominent modern artists. This title brings together 120 of Thiebaud's important paintings, watercolours and pastels. It contains essays that trace the course of his career from the 1950s onwards.

Seeing comes before words. The child looks and recognizes before it can speak. But, there is also another sense in which seeing comes before words. It is seeing which establishes our place in the surrounding world. The relation between what we see and what we know is never settled. This is a book on art in various languages.

A satirical take on the much-loved ladybird books of the '60s. John and Susan visit an art gallery with Mummy and discover the real meaning behind contemporary works of art such as empty rooms, giant vaginas and inflatable dogs.

The author has long been fascinated by the relationships that develop between dogs and their owners. In this book, his delicate portraits in watercolour and gouache reveal the mutual understanding and sympathy of these partnerships.

Over 400 works from the Turner Prize-nominated king of odd

Casablanca is "not one movie," Umberto Eco once quipped, "it is 'movies'". Released in 1942, the film won 4 Oscars, including Best Picture and featured unforgettable performances by Humphrey Bogart and Ingrid Bergman. This book offers a rich account of the film's origins, the myths and realities behind its production.

Museums today are a cultural battleground. Jon Sleigh maintains that museums must be for all people and inclusion must be at the heart of everything they do. He uses museum objects from different museums to explore trust-building, representation, digital access, conflicting narratives, removal from display and restitution.

Hindpal Singh Bhui argues that we need to look at who is sent to prison and why to disentangle reality from ideology and myth. Including the voices of prisoners, prison staff and victims, he asks whether prison is an institution for managing marginalized people, or if there is a better way to achieve the socially useful goals of prisons.

While attention is on Olympic triumphs and tribulations, there is much that goes on behind the scenes that is deeply troubling. Boykoff tells us that radical steps are required if the Games are to be fixed and only then will they be truly 'athletes first'.

What is modern art? Why do we either love it or loathe it? And why is it worth so much damn money? This book asks all the basic questions that you were too afraid to ask.

Why do we need art? What Art Does is an invitation to explore this vital question. How it creates communities, opens our worlds, and can transform us. Curious and playful, richly illustrated, full of ideas and life, it is an inspiring call to imagine a different future.

What is it to be a work of art? Part philosophical monograph and part memoiristic meditation, this book challenges the popular interpretation that art is an indefinable concept, instead bringing to light the properties that constitute universal meaning.

Gildea suggests that the more people who really understand what good history entails, the more likely history is to triumph over myth. He sees positive signs in public history, citizen historians and community projects, debunking claims that 'you cannot rewrite history', arguing that good history that's attuned to its times must be rewritten.

Winner of the Sunday Times Top Ten Bestseller, this book is about a journey undertaken by the author that begins in the dusty city of Jingdezhen in China and travels on to Venice, Versailles, Dublin, Dresden, the Appalachian Mountains of South Carolina and the hills of Cornwall to tell the history of porcelain.

Explores modes of racial coding in Hollywood cinema from 1915 to 1985. This study presents three major methods through which racist ideology functions in film - "mythification", marking and omission. It analyzes film texts drawn from both classical Hollywood and Black independent film culture.