A comprehensive resource of key writings on early cinema, addressing filmmaking practice, film form, style and content, and the ways in which silent films were exhibited and understood by their audiences, from the beginnings of film in the late 19th century to the coming of sound in the late 1920s.
Site-Specific Art is the first major study of site-specific theatre and performance in North America and Europe since the 1950s. This volume is an astonishing addition to the debates around experimental performance and its documentation.
In Situated Listening: The Sound of Absorption in Classical Cinema, author Giorgio Biancorosso examines the historical challenge of representing listening on screen.
Packed with insightful, easy-to-follow tips and featuring a refreshingly diverse range of work from contemporary artists, 365 Hints & Tips for Drawing & Sketching is a comprehensive, highly accessible guide that is guaranteed to appeal to aspiring artists of all levels.
An essential little book - perfect for the pocket or art bag - covering all practical aspects of sketching and drawing. Sketching is a skill that every artist needs to master and this handy book shows you how in a very clear and simple way.
How can filmmakers working between cultures use cinema, a visual medium, to transmit that physical sense of place and culture? This book offers an answer, building on the theories of Gilles Deleuze and others to explain how and why intercultural cinema represents embodied experience in a postcolonial, transnational world.
Reveals the ways in which the Whedonverse treats the trauma of ordinary life with similar gravitas as trauma created by the supernatural, illustrating how memories are lost, transformed, utilized, celebrated, revered, questioned, feared and rebuffed within the storyworlds created by Joss Whedon and his collaborators.
Slow Fade to Black is a history of US African-American accomplishment in film from the earliest movies through World War II. It explores the growth of discrimination as filmmakers became more and more intrigued with myths of the Old South.
Marlon Brando will never cease to fascinate us: for his triumphs as an actor as well as his disasters; for the power of the screen portrayals he gave. This title examines each of Brando's films. It brings into focus Brando's self-destructiveness, his lifelong dissembling, his deeply ambivalent feelings towards his chosen vocation.
Sounding the Gallery argues that early video art is an audiovisual genre. The new video technology not only enabled artists to sound their visual work and composers to visualise their music during the 1960s: it also initiated a spatial form of engagement that encouraged new relationships between art / music practices and their audiences.
Spanish Popular Cinema is the first European language work to focus exclusively on this neglected aspect of Spain's film history. Moving from the 1930s to the present, the contributors to this book provide a diverse collection of essays that reassess some of the forgotten and critically overlooked works of Spanish popular cinema.