Contributes to the reassessment of Third Reich cinema by examining it as a social, cultural, economic, and political practice that often conflicted with, contradicted, and compromised the intentions of the Propaganda Ministry. This book emphasises co-development of German and other national cinemas, especially the dominant Hollywood model.
Focuses on foundational principles of art. This book gives serious beginners to professional artists an understanding of the old masters' unparalleled approach to paint application. It includes ten step-by-step portrait demonstrations.
Presents a comprehensive introduction to the major issues in the history of portraiture. The text's chapters are structured chronologically, progressing from the Italian Renaissance to Dutch 17th-century portraiture and on to Picasso, surrealism, Lucian Freud and Cindy Sherman.
Dennis Potter, British playwright, novelist and film-maker, talks about the early influences that shaped him and his career in this book that looks at Potter's pioneering use of non-naturalism, his self-reflexive subversion of film and TV cliches and his approach to sex, politics and religion.
A stupendous celebration of the pencil, exploring all the wonderful things you can do with this humble but amazing tool, including drawing, sketching, shading, doodling, and much, much more.
How to create your own beautiful ceramics, with practical step-by-step instructions. Explains all the basic pottery techniques, such as pinching, hollowing, coiling, slab building, extrusion and clay relief.
Praeterita is the autobiography of John Ruskin (1819-1900), art critic and social commentator and one of the most influential figures of the nineteenth century. An elegy for lost places and people, Praeterita recounts Ruskin's childhood, and his travels across Europe with passion and intimacy.
What is pretentiousness? Why are we afraid of it? And more controversially: why is it vital to a thriving culture? Drawing on the author's own experiences growing up and working at the more radical edges of the arts, this book is a timely defence of pretentiousness as a necessity for innovation and diversity in our culture.
Brian Nicol's book is a history of the private-eye movie, from its emergence in the 1940s, through its slow decline in the '70s, to the passing of its central figure into present-day movie mythology.
Containing big names revealing private and fascinating insights into theory work, this book provides an introduction for anyone new to the series. It is suitable for cinephiles everywhere.
Tells the stories of nine intrepid adventurers who have combed the streets and bazaars of Central and South Asia finding, researching, collecting and selling textile treasures to interested Westerners.
Foregrounding a fundamental aspect of the Swedish auteur's work that has been routinely ignored, as well as the vibrant connection between postwar American queer culture and European art cinema, this book offers a pioneering reading of Bergman's films as
Queer Cinema, the Film Reader brings together key writings that use queer theory to explore cinematic sexualities, especially those historically designated as gay, lesbian, bisexual and/or transgendered.