Key documents and appraisals of appropriation art. Includes Dada, Situationist and postmodern theory, and recent feminist, postcolonial and postproduction practice.
Containing writings by Sigmund Freud, Michel Foucault, Hal Foster and others, this work includes essays on the archival practice of such artists as Gerhard Richter, Susan Hiller, Ilya Kabakov, Christian Boltanski, Renee Green and The Atlas Group.
This anthology traces the central and diverse roles of memory activation and the memory-image in aesthetic theory and art practice from early modernism to the present.