Presents a firsthand account of the Dust Bowl refugees, the migrant labour camps, and the growth of labour activism among Anglo and Mexican farm workers in California's agricultural valleys linked by the 'Dirty Plate Trail' (Highway 99). This book draws upon the field notes that the author wrote while in the camps.
Foregrounding a fundamental aspect of the Swedish auteur's work that has been routinely ignored, as well as the vibrant connection between postwar American queer culture and European art cinema, this book offers a pioneering reading of Bergman's films as