All Categories
    Filters
    Preferences
    Search

    The Queer Cinema of Derek Jarman: Critical and Cultural Readings

    £21.59
    £23.99
    Price-Match is available in-store for recommended titles in CCCU module handbooks
    ISBN: 9781845115371
    Products specifications
    Attribute nameAttribute value
    AuthorRichardson, Niall (University of Sussex,
    Pub Date30/10/2008
    BindingPaperback
    Pages256
    Publisher: I B TAURUS (MDL)
    Ship to
    *
    *
    Shipping Method
    Name
    Estimated Delivery
    Price
    No shipping options
    Availability: Out of Stock
    Derek Jarman has been called the 'godfather' of the early 1990s cinematic movement now known as 'Queer Cinema'. This book views Jarman's uniquely personal - and pleasurable - cinema through the analytical prism of 'queer'.

    Derek Jarman has been called the 'godfather' of the early 1990s cinematic movement now known as 'Queer Cinema'. 'Queer' rejects labels, challenges fixed ideas of gender and sexual identity and refuses the status of a tolerated minority, and queer imagery dominates Jarman's cinema. Yet there has been little attention given to this rich vein in his work.This is the first book to view Jarman's uniquely personal - and pleasurable - cinema through the analytical prism of 'queer'. Niall Richardson takes up queer theory and its debates, as well as the tension between theory and activism, to apply these issues to Jarman's cinema in critical readings of his films, with special attention given to "Caravaggio", "Edward II" and "Blue". Richardson enters the debates about queer sexuality and particularly the dynamics of sadomasochism in sexual relations. He considers alternative regimes of gender and sexuality, desire and its relationship to the body, and the political impact of such images.
    Although Jarman's films have often been praised for being allegories of political resistance, this book argues convincingly that the 'queer' status of his cinema is as much indebted to the representation of alternative paradigms of gender and sexuality as it is to his portrayal of tendentious political battles.