Mancunians: Where do we start, where do I begin? is the authentic account of Manchester at the turn of the Millennium, told through a mixture of memoir and interviews with well-known local figures from music and sports. -- .

This study of Duras cinema, examines such films as "India Song", "Le Camion", and "Nathalie Granger". It provides an introduction to her films, and locates them in their autobiographical as well as social and historical context, with an empahasis on gender issues.

This book presents a new interpretation of the co-monarchy of Mary I and Philip II. It reclaims Mary as a great Catholic queen and fleshes out Philip's contributions as king, exposing the sectarian historiography that has cast their reign in a negative light. An important corrective for the history of Tudor England and Habsburg Spain. -- .

Masques of difference' presents an annotated edition of four seventeenth-century entertainments written by Ben Jonson, which reflect the royal court's self-representation as moral and just, in contrast to stylised images of chaotically (and exotically) 'othered' groups: Africans, the Irish, witches, and the homoeroticised figure of the Gypsy.

Since the publication of The Woman Warrior in 1976, Maxine Hong Kingston has gained a reputation as one of the most popular -- and controversial -- writers in the Asian American literary tradition. Grice traces Kingston's development as a writer and cultural activist to both ethnic and feminist discourses.

Phipps argues that the mainstream movement against sexual violence embodies a political whiteness which both reflects its demographics and limits its revolutionary potential. -- .

Using examples such as "Big Brother" and "Billy Elliot", Bignell offers a comprehensive, intelligent and readable introduction into the critical approach in contemporary media studies. This second edition includes sections on men's style magazines, docusoaps and "reality TV".

This history of the horror film explores the genre's relationship to the social and cultural history of homosexuality in America. The text draws on a wide variety of films and primary sources including censorship files, critical reviews, promotional materials, fanzines and popular news weeklies.