Cinema provides entertainment, but it also communicates a set of values, a vision of the world or an ideology. European cinema has dealt with the tension between these two functions in a variety of ways. Diverse and entertaining, this book explores the complex relationship between entertainment, ideology and audiences in European film.

Written by an extraordinary team of authors, including Danny Dorling and Kate Pickett, this book offers a compelling and achievable vision for a progressive future. It presents concrete policy proposals for the reform of welfare, health and social care, public utilities and more. -- .

This edited collection explores the afterlife of Mary Shelley's Frankenstein in theatre and film, radio, literature and graphics novels, making a substantial contribution to the field of adaptation studies. -- .

Agnes Varda, one of the major French film-makers of the last 40 years, is here celebrated by Alison Smith, by examining both the early films and the later successes, such as "Sans toit ni loi" (1985), "Jane B. par Agnes V." (1987) and "Jacquot de Nantes" (1991).

This study covers two decades in American history, when the links between Hollywood and Washington were at their strongest, a period "book-ended" by the political and cinematic figures of Reagan and Clinton. During this period movies became targets of political rhetoric of "family values".

Divided into three sections on radio, film and television, the book's interdisciplinary approach is underpinned by reference to exclusive interviews with the directors and producers with whom Carter collaborated, giving a unique insight into processes of adaptation and the technologies of media production.

Anne Clifford describes the dramatic and tragic events of her life in the seventeenth century. Of how she danced in the masques of Inigo Jones, experienced both joy and abuse in her two marriages, lost and gained an inheritance, and successfully defended her rights against kings and armies. All told in rich detail amidst the backdrop of daily life. -- .

Since 1965 Geoffrey Shepherd's edition of Philip Sidney's "Apology" has been the standard, and this revision, with a new introduction and extensive notes, is designed to introduce the soldier-poet's work to a new generation of readers at the beginning of the 21st century.