Written with an infernal lyricism that is as affecting as it is enthralling, Hurricane Season, Fernanda Melchor's first novel to appear in English, is a formidable portrait of contemporary Mexico and its demons, brilliantly translated by the award-winning translator Sophie Hughes.

Written with an infernal lyricism that is as affecting as it is enthralling, Hurricane Season, Fernanda Melchor's first novel to appear in English, is a formidable portrait of contemporary Mexico and its demons, brilliantly translated by the award-winning translator Sophie Hughes.

A powerful meditation on ageing and familial love, I Remain in Darkness recounts Annie Ernaux's attempts to help her mother recover from Alzheimer's disease, and then, when that proves futile, to bear witness to the older woman's gradual decline and her own experience as a daughter losing a beloved parent.

With the death of her aunt, Maria Stepanova is left to sift through an apartment full of faded photographs, old postcards, diaries, and heaps of souvenirs: a withered repository of a century of life in Russia. Carefully reassembled, these shards tell the story of how a seemingly ordinary Jewish family managed to survive the twentieth century.

Blending memoir, polemic and feminist philosophy, Intervals is a deeply moving work that harnesses the political potential of grief to raise essential questions about choice, interdependence and end-of-life care.

In `prose that glides and shimmies and pivots on risky metaphors, low puns and highbrow reference points' (Brian Dillon, FRIEZE), Ian Penman's first book in twenty years is cause for celebration.

Co-winner of the 2022 Novel Prize, this incredible life-after-death novel asks us to consider how much of our memory, of our bodies, of the world as we know it - how much of what we love - can we lose before we are lost? And then what happens?

Windham Campbell Prize-winner Kate Briggs' long-awaited debut novel, imagining new forms of life, writing and experience.