Drawing on several years of long, exploratory conversations with Stoppard himself, it tracks his Czech origins and childhood in India to every school and home he's ever lived in, every piece of writing he's ever done, and every play and film he's ever worked on;
Shot through with Stoppard's voice, and illuminating all his plays, Lee's gripping narrative draws on unprecedented access to archive material, interviews and long conversations with Stoppard himself.
When Owen Underwood's family move to Barrow, it's because there's nowhere safer in the Valleys - and safety is very important. Especially when the threat of tornadoes, and giant bears, is constant. But in Barrow, safety is taken to extremes. Children have to wear bright yellow at all times and are never allowed outside except to go to school.
In Christopher Reid's marvellous new collection, a schoolboy furtively and thrillingly drops a marble through the top of his desk so that it makes its way in darkness along a complicated chute of books, rulers and rubbish, only to emerge from a hole in the base and be caught deftly in his other hand.
What emerges is a compelling portrait of the four musicians themselves, as well as a fresh insight into close-knit entourage that protected them, from Peter Grant to Richard Cole to Ahmet Ertegun, giant figures from long-vanished world of 1970s rock. This book is a history, adventures, myths and realities of this legendary and powerful of bands.
An utterly enchanting, eerie novel that sits alongside The Children of Green Knowe and Moondial, and has been described as the very best time-travel novels for children.