Presents a collection of works by some of the brightest stars in contemporary American theater. This book features plays ("Two Sisters and a Piano" and "The Trail of Her Inner Thigh") that focus on the mysterious and the unreal in their characters' lives and, in so doing, provide a window into the everyday and the real in our human experience.

Offers a collection of essays that provides the comprehensive survey of Hollywood and independent films from the mid-60s the present. This title brings together thirteen leading film scholars who present a range of theoretical, critical, and historical perspectives on this rich and pivotal era in American cinema.

Leading cultural and political theorists argue that any account of experience, agency, and political action demands attention to the urgent issues of our own material existence and environment.

B. Ruby Rich has been involved with queer filmmaking-as a critic, film-festival curator, publicist, scholar, and champion-since it emerged in the 1980s. This volume collects the best of her writing on New Queer Cinema from its beginning to the present.

Argues that a commitment to diversity is frequently substituted for a commitment to actual change. This title traces the work that diversity does, examining how the term is used and the way it serves to make questions about racism seem impertinent.

In this invitation to reflect on the power of performance, Diana Taylor explores the multiple and overlapping meanings of performance, showing how it can convey everything from artistic, economic, and sexual performance, to providing ways of understanding how race, gender, identity, and power are performed.

McKenzie Wark combines an autobiographical account of her relationship with Kathy Acker with her transgender reading of Acker's writing to outline Acker's philosophy of embodiment and its importance for theorizing the trans experience.