Traces the lineage of moving-image installation through architecture, painting, sculpture, performance, expanded cinema, film history, and countercultural film and video
Axel Honneth has been instrumental in advancing the work of the Frankfurt School of critical theorists. His essays, collected here, address the possibilities of continuing this tradition through radically changed theoretical and social conditions.
Explores the ways in which a group of groundbreaking horror films engaged the haunting social conflicts left in the wake of World War II, Hiroshima, and the Vietnam War. This book shows that through allegorical representations these directors' films confronted and challenged comforting historical narratives and notions of national identity.