Isaac Newton has become an intellectual avatar for our modern age, the man who, as even children know, was inspired to codify nature's laws by watching an apple fall from a tree. This book is a cultural history of the interrelated origins of modern science, the concept of a genius and fame.
Contributors, including C. Ernest Dawn, Mahmoud Haddad, Reeva Simon, and Beth Baron, provide a broad survey of the Arab world at the turn of the century, permitting a comparison of developments in a variety of settings from Syria and Egypt to the Hijaz, Libya, and Iraq.
Noted ecotheologian and feminist philosopher of religion Catherine Keller reads the feedback loop of political and ecological depredation as secularized apocalypse. She calls for dissolving the opposition between the religious and the secular in favor of a broad planetary movement for social and ecological justice.
Nora M. Alter reveals the essay film to be a hybrid genre that fuses the categories of feature, art, and documentary film. The essay film draws on a variety of forms and approaches; in the process, it fundamentally alters the shape of cinema. The Essay Film After Fact and Fiction locates the genre's origins and follows its transformations.
This book develops a new conception of universality that helps us rethink political thought and action. Through a wide range of examples in contemporary politics, film, and history, Universality and Identity Politics offers an antidote to the impasses of identity and an inspiring vision of twenty-first-century collective struggle.