To his fellow West Indians who assemble every weekend for the all-night poker game at Mrs Knight's, he is always known as Bageye. Bageye already finds it a struggle to feed his family on his wage from Vauxhall Motors, but now his wife Blossom has set her heart on her sons going to private school and she will not settle for anything less.

Meanwhile Linda Wallander, preparing to join the Ystad police force, arrives at the station. Showing all the hallmarks of her father - the maverick approach, the flaring temper - she becomes involved in the case and in the process is forced to confront a group of extremists bent on punishing the world's sinners.

THE NEW YORK TIMES BESTSELLER'Awe-inspiring... You will learn more about human nature than in any other book I can think of' Henry Marsh 'One of the best scientist-writers of our time' Oliver SacksWhy do human beings behave as they do?

SHORTLISTED FOR THE BAILLIE GIFFORD PRIZESELECTED AS A BOOK OF THE YEAR 2017 BY THE DAILY TELEGRAPH, MAIL ON SUNDAY AND OBSERVERBelonging is a magnificent cultural history abundantly alive with energy, character and colour.

Terrible, unspeakable things happened to Sethe at Sweet Home, the farm where she lived as a slave for many years until she escaped to Ohio. Her new life is full of hope but eighteen years later she is still not free. Sethe's new home is haunted by the ghost of her baby, who died nameless and whose tombstone is engraved with a single word: Beloved.

Beneath the Lion's Gaze opens in Addis Ababa, Ethiopia, 1974, on the eve of a revolution. Yonas kneels in his mother's prayer room, pleading to his god for an end to the violence that has wracked his family and country.

Everywhere he looks he finds fragments and gaps: disconnected typescripts, bones and husks, boxes of marbles, collections of photographs. Like a shaman flying across the globe, his mind tracks the journeys of his subjects to the deserts of Africa and the maelstroms of the Arctic, where the shapes of myth meet the patterns of science.

Richard Wright's memoir of his childhood as a young black boy in the American south of the 1920s and 30s is a stark depiction of African American life and powerful exploration of racial tension. At four years old, Richard Wright set fire to his home in a moment of boredom;